The first half of the screenplay is better than the second and in particular the weak ending which is very commercial Oscar material. However, there is Benigni, who is an old school visual comedian, and some of his antics are a delight. The period setting details are also well done.

<em>'Life Is Beautiful'</em> is certainly beautiful (in a sense), but is acutely haunting too. You can see where the film is heading from pretty much the get-go, though that only strengthens the grip that the film had on my mind. Evidently, it's an outstanding piece of filmmaking. I've, of course...